Casa negra (Black house) Japanese culture while some versions move toward

while some versions move toward darker

1972-1975" (Maeght

particularly in the way a star's image can be reproduced and exploited until it becomes an icon beyond the real person

This piece has been crafted following François Pompon’s L’Ours blanc

Casa negra (Black house) Japanese culture while some versions move towardLithograph on paper signed by the artist and numbered edition of 75. Dated in 1988 Eduardo Arranz Bravo's career is wide and his style has evolved a lot in time. If there's any common element in all his different artistic periods, is the need of "dismembering" the form, something very alike to Bacon's style.