Several Circles by Wassily Kandinsky Exhibition Corné Akkers participates in the overall rhythm:

participates in the overall rhythm: Art Nouveau not as style but as structural logic

making this canvas art print a bold statement for any interior

with warm and cool tones placed in deliberate opposition to create visual tension and depth within an otherwise flat graphic language

The composition leans into asymmetry — a hallmark of Meiji kacho-e — with open space counterbalancing the weight of the bird's form

Several Circles by Wassily Kandinsky Exhibition Corné Akkers participates in the overall rhythm:Painted in 1926 during Kandinsky's Bauhaus years, Several Circles arranges luminous discs of varying sizes across a near black ground each circle distinct yet in dialogue with its neighbours, overlapping and layering to create a composition of extraordinary stillness and cosmic depth. The palette moves from pale gold to deep violet, from transparent blue to opaque white. Kandinsky believed the circle was the most restrained form, yet the most dynamic