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ceremonial grace
The result is bold without being loud
This work is characteristic of the Vienna Secession's belief that ornament and meaning are one
her form partially dissolved into decorative patterning in the manner of high Art Nouveau
Keika hyakugiku Pl.12 1893 by Keika Hosegawa Edvard Munch ceremonial gracePlate 12 from Hasegawa's Kyoto published series documents a spidery, ray petalled chrysanthemum cultivar the long, filament like petals curling outward and downward in elegant arcs. Where many botanical plates favour the fully opened bloom, this composition captures the cultivar mid unfurl, giving the image a sense of suspended movement. The ink lines thin to almost invisible at each petal tip, while a restrained ochre and white palette keeps the mood
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