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first emerged (as simply Dinosaur) from the Massachusetts punk scene in the mid-1980s with provoking
Most impressively
repeated on both sides
Chuck Plotkin
RETURN OF THE GIANT SLITS 12/03/1996 first emerged (as simply Dinosaur)Never released in America, the Slits' second and final record found them pushing the envelope rhythmically. Although designed to be more commercial than Cut, it's actually less so, sounding more like the innovative work a young Adrian Sherwood was doing with Creation Rebel. Fans of the early Slits, who were put off by the reggae of Cut, were no doubt further alienated by this record's comfortable use of Afro pop tempos and style. Which was a shame,
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